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Nude study. Charcoal on paper. Signed, dated 1913 and
inscribed "Paris, 5 min" lower left 5 x 16". Provenance: Alpha-Art Auction, Moscow (Certificate
of authenticity by "Alpha-Art" of 15.04.92 is enclosed). In original hand
carved gilded and ebonized European (beginning of XX century)
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"Usual Guest". Pastel on
paper, laid on cardboard.
Signed low right. c.1915.
18 x 23". |
ITEM #GRIGOA1
PRICE ON REQUEST |
ITEM #GRIGOA2
$10,000.- |
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Cuba. Landscape. Gouache on cardboard. Signed
lower left [1936]. 15 x 20".
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Market. Pencil on paper. Signed with initials. c.1913.
10 x 12". |
ITEM #GRIGOA3
PRICE ON REQUEST |
ITEM #GRIGOA4
$2,000 |
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Frivolity in masks. Draft for the painting (see
GRIGORIEV Boris. Text by Tamara Galeeva “Hudojnik Rossii”
SPB 2007 ill 105) Pencil on paper, signed low right and
dated [1]917, 8.5x11
inches.
Authenticity
confirmed by Dr. Elena Basner
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Portrait of Sergei
Rachmaninov. Oil on
canvas. Signed low right. c.1930 14 x 20".
Another variant of that
portrait is in Moscow Glinka
Music Museum. |
ITEM #GRIGOA5
$5000
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ITEM #GRIGOA6
$10,000.- |
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Russische
Erotik;
the set of
twelve lithographs (including the title page), 1920, on
wove paper, copy no. 40, from the edition of 300, loose
in the original burgundy paper covered folder with the
label on the back of front cover 392 x 316 mm. (each
sheet) Printed
in Berlin, this rare complete set consists of twelve
lithographs signed by the artist in stone.
To see
details click either the image or
HERE
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ITEM #GRIGOA8A
$10000 |
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Portrait of Alisa Koonen. Pencil on cardboard. c.1917. Inscribed "Alisa Koonen" and signed with initials on the reverse. 20 x 12'.
In original
art nouveau frame, circa 1890, walnut, carved with
fruiting branches
with a silk
mat.
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ITEM #GRIGOA8
PRICE ON REQUEST |
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Boui bouis [translated into German by Reinhold von
Walter]. Berlin:
Razum Verlag, [1924], copy number 480 of 500
copies, illustrations in the text, 28 lithograph plates,
original cloth-backed boards with gilt illustration and
lettering on upper cover
As Lolli Lvov pointed out in his 1923 Jar
Ptitza article
on the artistic visions of Boris Grigoriev, after
finishing the Faces
of Russia cycle, Grigoriev fell back under the
decadent spell of "European civilization." "Here
Grigoriev leads us far away from Russia, in fact to the
other side of the world, to the extreme borders of the
West, " writes Lvov. "Away from the capitals of Europe
and no longer in the bustling city of Paris, but to the
remote corners of the Mediterranean into the frenzied
harbors of the South of France. We are thrust into a
world of inebriation, where the air is saturated with
the stench of wine, and dockers and sailors spend their
free time in grubby harbor cafés poisoned by absinthe. Boui
Bouis, we cannot find human faces, we cannot meet a
human. Boui
Bouis is
a frightening book, the magic of Grigoriev's
draughtsmanship mezmerizes; however, our soul cringes
and we shudder from these spectres. Grigoriev strips the
human to its most essential, most unmasked" (Lolli Lvov,
"The Visions of Boris Grigoriev," Jar
Ptitza, 1923, no. 11, p. 6).
To see
details click either the image or
HERE
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ITEM #GRIGOA8b
$2000 |
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Two portraits - drafts for the book "Rassea"
c 1921 PENCIL ON PAPER. 10”
x 13” each
MEN’S PORTRAIT SIGNED l/r "Boris Grigoriev"
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ITEM #GRIGOA9
$15000
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View of a garden (Borisella, artist's house in Cagnes Sur Mer). Oil on canvas.
Signed lower left, inscribed on reverse to V.Bashkirtsev, 1933. 24 x 28". In original XVII century Spanish hand carved and parcel gild frame.. Exhibited: Exposition d’Art Russe, Paris 1932, Galeri “La Renaissance”, #107, p.34 of the catalog. Bibliography: “A Time to Gather… RUSSIANART From Foreign Private collections”, State Russian Museum, Saint-Petersburg, Palace Editions,2008, illustrated on p.24.
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ITEM #GRIGOA9a
PRICE ON REQUEST
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